Lightning

Lightning is a redone version of Meathead. He is an alley cat bully whose leader is Butch. Lightning's first appearances was Old Rockin' Chair Tom as the main antagonist. He became buddies with Tom as seen in Sleepy-Time Tom. He also appeared in the Tom and Jerry direct-to-video films, Tom and Jerry: The Magic Ring and Tom and Jerry: A Nutcracker Tale. Nobody knows who voiced Lightning in Tom and Jerry: A Nutcracker Tale and Tom and Jerry Tales. Originally, Lightning is seen with a black nose in the Tom and Jerry theatrical shorts, and later was seen with a red nose in Tom and Jerry: A Nutcracker Tale. Then he return with his original black nose in Tom and Jerry Tales.

Tuffy

Tuffy (formerly, Nibbles) is a mouse who is close to Jerry. He is sometimes seen as Jerry's nephew, but occasionally referred to as an orphan. In many episodes, Tuffy is seen eating a lot (he's always hungry). In his first appearance, he was left on Jerry's doorstep, being abandoned by his parents because he eats too much. Tuffy appears frequently with Jerry. When he does, Tom enjoys chasing him as he does with Jerry. Strangely, in Tom and Jerry: The Magic Ring, Tuffy, once again called Nibbles, is a random mouse in a pet shop that Jerry doesn't even know.
Nibbles, the little orphan mouse, later named "Tuffy"

In Mouseketeer shorts, he will speak in French and English.

Mammy Two Shoes

From the beginning, Tom also has to deal with Mammy Two Shoes (voiced by Lillian Randolph), a stereotyped[clarification needed] African-American domestic housemaid. In the earliest shorts, Mammy is depicted as the maid taking care of the often opulent home in which Tom and Jerry reside. Later Tom and Jerry shorts are set in what appears to be Mammy's own house. Her face is never seen (with the exception of 1950's Saturday Evening Puss, in which her face is very briefly seen as she runs towards the camera), and she usually wallops the cat with a broom when he misbehaves. When Mammy was not present, other humans would sometimes be seen, usually from the neck down as well. Mammy would appear in many cartoons until 1952's Push-Button Kitty. Later cartoons would instead show Tom and Jerry living with a 1950s Yuppie-style couple. Soon after, virtually all humans in the series had visible faces.

Butch and Toodles Galore

Butch and Toodles Galore, in the 1946 Tom and Jerry short Springtime for Thomas.

Butch is a black alley cat who also wants to catch and eat Jerry. He is the most frequent adversary of Tom. However, for most of the episodes he appears in, he's usually seen rivaling Tom over Toodles. Butch also appeared as one of Tom's pals or chums as in some cartoons, where Butch is leader of Tom's buddies, who are Meathead and Topsy. Tom changes his love interest many times. The first love interest is Sheikie and speaks in a haughty tone in The Zoot Cat, and calls him "Tommy" in The Mouse Comes to Dinner. The second and most frequent love interest of Tom's is Toodles Galore, who never has any dialogue in Tom and Jerry cartoons.

Tom Cat and Jerry Mouse

Tom is a blue-grey British longhair tomcat. He is the main protagonist and also the main antagonist of the story, who lives a pampered life, while Jerry is a small brown house mouse who always lives in close proximity to him and he is the second protagonist of the story. "Tom" is a generic name for a male cat or tomcat (the Warner Bros. cartoon character Sylvester was originally called "Thomas"). Tom was originally called "Jasper" in the very first short, Puss Gets the Boot, while Jerry was named "Jinx". Tom is very quick-tempered and thin-skinned, while adorable mouse Jerry is independent and opportunistic. Jerry also possesses surprising strength for his size, lifting items such as anvils with relative ease and withstanding considerable impacts with them.


Despite the typical cat eats mouse, it is actually quite rare for Tom to actually try and consume Jerry. Despite being very energetic and determined, Tom is no match for Jerry's brains and wits. By the final "iris-out" or "fade-out" of each cartoon, Jerry usually emerges triumphant, while Tom is shown as the loser. However, other results may be reached; on rare occasions, Tom triumphs, usually when Jerry becomes the aggressor or when he crosses some sort of line (the best example of which occurs in The Million Dollar Cat where, after finding out that Tom's newly acquired wealth will be taken away if he harms any animal, including a mouse, he torments Tom until Tom finally loses his temper and attacks him). Sometimes, usually ironically, they both lose, usually when Jerry's last trap potentially backfires on him after it affects Tom (An example is in Chuck Jones' Filet Meow short where Jerry orders a shark to scare Tom away from eating a goldfish. Afterwards, the shark scares Jerry away as well) or when Jerry overlooks something at the end of the course. Sometimes, they both end up being friends (only for something to happen so that Tom will chase Jerry again). Both characters display sadistic tendencies, in that they are equally likely to take pleasure in tormenting each other. However, depending on the cartoon, whenever one character appears to be in mortal danger (in a dangerous situation or by a third party), the other will develop a conscience and save him. Sometimes, they bond over a mutual sentiment towards an unpleasant experience and their attacking each other is more play than serious attacks. Multiple shorts show the two getting along with minimal difficulty, and they are more than capable of working together when the situation calls for it, usually against a third party who manages to torture and humiliate them both.

tom & jerry

Tom rarely succeeds in catching Jerry, mainly because of Jerry's cleverness, cunning abilities, and luck. Interestingly enough, many of the title cards show Tom and Jerry smiling at each other which seems to depict a love-hate relationship rather than the extreme annoyance each displays towards the other in each cartoon. There are also several instances within the cartoons where they display genuine friendship ("Springtime for Thomas") and concern for each other's well-being (such as in "Jerry and the Lion" where Jerry in one instance tricks Tom into thinking he has shot Jerry, and Tom comes running with the first aid kit).

The short episodes are famous for some of the most violent gags ever devised in theatrical animation: Jerry slicing Tom in half, shutting his head in a window or a door, Tom using everything from axes, pistols, explosives, traps and poison to try to murder Jerry, Jerry stuffing Tom's tail in a waffle iron and a mangle, kicking him into a refrigerator, plugging his tail into an electric socket, pounding him with a mace, club or mallet, causing a tree or an electric pole to drive him into the ground, sticking matches into his feet and lighting them, and so on. Despite all its popularity, Tom and Jerry has often been criticized as excessively violent. Despite the frequent violence, there is no blood or gore in any scenes in the original cartoons that made the pair a household name. However, in a very rare instance, when Tom gets sliced into pieces in the opening credits of Tom and Jerry:The Movie, blood is clearly visible. A recurring gag involves Jerry hitting Tom when he's preoccupied, with Tom initially oblivious to the pain—and only feeling the effects moments later, and vice versa; and another involves Jerry stopping Tom in midchase (as if calling for a time-out), before he does something, usually putting the hurt on Tom.

The cartoon is also noteworthy for its reliance on stereotypes, such as the blackening of characters following explosions and the use of heavy and enlarged shadows (e.g., Dr. Jekyll and Mr. Mouse). Resemblance to everyday objects and occurrences is arguably the main appeal of visual humor in the series. The characters themselves regularly transform into ridiculous but strongly associative shapes, most of the time involuntarily, in masked but gruesome ways.

tom & jerry

Tom and Jerry is a series of animated theatrical shorts created by William Hanna and Joseph Barbera for Metro-Goldwyn-Mayer that centered on a never-ending rivalry between a housecat (Tom) and a mouse (Jerry) whose chases and battles often involved comic violence. Hanna and Barbera ultimately wrote and directed one hundred and fourteen Tom and Jerry cartoons at the MGM cartoon studio in Hollywood, California between 1940 and 1959, when the animation unit was closed. The original series is notable for having won the Academy Awards for Best Short Subject (Cartoons) seven times, tying it with Walt Disney's Silly Symphonies as the theatrical animated series with the most Oscars. In 2000 TIME named the series one of the greatest television shows of all time.

Beginning in 1960, in addition to the originals MGM had new shorts produced by Rembrandt Films, led by Gene Deitch in Eastern Europe. Production of Tom and Jerry shorts returned to Hollywood under Chuck Jones's Sib-Tower 12 Productions in 1963; this series lasted until 1967, making it a total of 161 shorts. The cat and mouse stars later resurfaced in television cartoons produced by Hanna-Barbera and Filmation Studios during the 1970s, 1980s, and 1990s, a feature film, Tom and Jerry: The Movie, in 1992 and released domestically in 1993 and in 2000, their first made-for TV short, Tom and Jerry: The Mansion Cat for Cartoon Network. The most recent Tom and Jerry theatrical short, The Karate Guard, was written and co-directed by co-creator Joe Barbera and debuted in Los Angeles cinemas on September 27, 2005.

Today, Time Warner (via its Turner Entertainment division) owns the rights to Tom and Jerry (with Warner Bros. handling distribution). Since the merger, Turner has produced the series, Tom and Jerry Tales for The CW's Saturday morning "The CW4Kids" lineup, as well as the recent Tom and Jerry short, The Karate Guard, in 2005 and a string of Tom and Jerry direct-to-video films - all in collaboration with Warner Bros. Animation.

Cinderalla Films

Over the decades, hundreds of films have been made that are either direct adaptations from Cinderella or have plots loosely based on the story. Almost every year at least one, but often several such films are produced and released, resulting in Cinderella becoming a work of literature with one of the largest numbers of film adaptations ascribed to it. It is perhaps rivalled only by the sheer number of films that have been adapted from or based on Bram Stoker's novel Dracula.[citation needed]

* Cinderella (1899), the first ever film version, produced in France by Georges Méliès.
* Cinderella (1911), a silent film starring Florence La Badie
* Cinderella (1914), a silent film starring Mary Pickford
* Cinderella, an animated Laugh-O-Gram produced by Walt Disney, first released on December 6, 1922. This film was about 7.5 minutes long.
* Poor Cinderella (1934), a Fleischer Studios animated short film starring Betty Boop
* Cinderella Meets Fella, (1938), a Merrie Melodies animated short film
* Cinderella (Зо́лушка) (1947), a Soviet musical film by Lenfilm studios, starring Erast Garin and Faina Ranevskaya
* Cinderella, an animated feature released on February 15, 1950, now considered one of Disney's classics. A direct-to-video sequel, Cinderella II: Dreams Come True, was released in 2002. A second direct-to-video sequel Cinderella III: A Twist in Time was released in 2007.
* The Glass Slipper (1955), feature film with Leslie Caron and Michael Wilding
* Cinderfella (1960), notable in that the main character is a man, played by Jerry Lewis
* Popelka (Cinderella, 1969), a Czech musical film
* Hey, Cinderella! (1970), a 60-minute film produced by the Jim Henson Company. This comedy version features Jim Henson's trademark Muppets (including a small role by Kermit the Frog).
* Tři oříšky pro Popelku / Drei Haselnüsse für Aschenbrödel (Three Nuts for Cinderella; known in the UK as Three Gifts for Cinderella), a Czech-German movie released in 1973
* The Slipper and the Rose, a 1976 British musical film starring Gemma Craven and Richard Chamberlain.
* Cinderella, a 1977 American erotic musical comedy starring Cheryl "Rainbeaux" Smith, Brett Smiley and Sy Richardson, directed by Michael Pataki
* Cindy (1978), made for television

The Second Shaykh's Story

Several different variants of the story appear in the medieval One Thousand and One Nights, also known as the Arabian Nights, including "The Second Shaykh's Story", "The Eldest Lady's Tale" and "Abdallah ibn Fadil and His Brothers", all dealing with the theme of a younger sibling harassed by two jealous elders. In some of these, the siblings are female, while in others they are male. One of the tales, "Judar and His Brethren", departs from the happy endings of previous variants and reworks the plot to give it a tragic ending instead, with the younger brother being poisoned by his elder brothers.

Another early story of the Cinderella type came from Japan, involving Chūjō-hime, who runs away from her evil stepmother with the help of Buddhist nuns, and she joins their convent.

The earliest European tale is "La Gatta Cenerentola" or "The Hearth Cat" which appears in the book "Il Pentamerone" by the Italian fairy-tale collector Giambattista Basile in 1635. This version formed the basis of later versions published by the French author Charles Perrault and the German Brothers Grimm. (Note: In the Brothers Grimm's version, there is no fairy godmother, but her birthmother's spirit represented via two birds from a tree over the mother's grave.)
Oliver Herford illustrated the fairy godmother inspired from the Perrault version

One of the most popular versions of Cinderella was written by Charles Perrault in 1697. The popularity of his tale was due to his additions to the story including the pumpkin, the fairy-godmother and the introduction of glass slippers. It was widely believed that in Perrault's version, Cinderella wore fur boots ("pantoufle en vair"), and that when the story was translated into English, vair was mistaken for verre (glass), resulting in glass slippers and that the story has remained this way ever since.

Another well-known version was recorded by the brothers Jacob and Wilhelm Grimm in the 19th century. The tale is called "Aschenputtel" ("Cinderella" in English translations) and the help comes not from a fairy-godmother but the wishing tree that grows on her mother's grave. In this version, the stepsisters try to trick the prince by cutting off parts of their feet in order to get the slipper to fit. The prince is alerted by two pigeons who peck out the stepsisters' eyes, thus sealing their fate as blind beggars for the rest of their lives. In this story, the prince is tricked twice but is spared by the birds. This lowers the Prince's status and he seems less heroic, which can raise Cinderella's status as a strong willpowered individual.

About Cinderalla

We had detail discussion with my friend about cinderalla. "Cinderella; or, The Little Glass Slipper" (French: Cendrillon, ou La petite Pantoufle de Verre) is a well-known classic folk tale embodying a myth-element of unjust oppression/triumphant reward. Thousands of variants are known throughout the world.[1] The title character[2] is a young woman living in unfortunate circumstances which suddenly change to remarkable fortune. The word "cinderella" has, by analogy, come to mean one whose attributes are unrecognised, or one who unexpectedly achieves recognition or success after a period of obscurity and neglect. The still-popular story of Cinderella continues to influence popular culture internationally, lending plot elements, allusions, and tropes to a wide variety of media.

The Cinderella theme may well have originated in classical antiquity; The Greek historian Strabo (Geographica Book 17, 1.33) recorded in the 1st century BC the tale of the Greco-Egyptian girl Rhodopis, which is considered the oldest known version of the story. Rhodopis (the "rosy-cheeked") washes her clothes in an Ormoc stream, a task forced upon her by fellow servants, who have left to go to a function sponsored by the Pharaoh Amasis. An eagle takes her rose-gilded sandal and drops it at the feet of the Pharaoh in the city of Memphis; he then asks the women of his kingdom to try on the sandal to see which one fits. Rhodopis succeeds. The Pharaoh falls in love with her, and she marries him. The story later reappears with Aelian (ca. 175–ca. 235), showing that the Cinderella theme remained popular throughout antiquity. Perhaps the origins of the fairy-tale figure can be traced back as far as the 6th century BC Thracian courtesan by the same name, who was acquainted with the ancient story-teller

My favourite story Cinderalla

One day, beautiful new dresses arrived at the house. A ball was to be held at the palace and the stepsisters were getting ready to go. Cinderella didn't even dare ask if she could go too. She knew very well what the answer would be: . You? You're staying at home to wash the dishes, scrub the floors and turn down the beds for your stepsisters. They will come home tired and very sleepy.. Cinderella sighed, . Oh dear, I'm so unhappy!. and the cat murmured . Miaow..

Suddenly something amazing happened. As Cinderella was sitting all alone, there was a burst of light and a fairy appeared. . Don't be alarmed, Cinderella,. said the fairy. . I know you would love to go to the ball. And so you shall!. . How can I, dressed in rags?. Cinderella replied. . The servants will turn me away!.

The fairy smiled. With a flick of her magic wand Cinderella found herself wearing the most beautiful dress she had ever seen. . Now for your coach,. said the fairy; "A real lady would never go to a ball on foot! Quick! Get me a pumpkin!. . Oh of course,. said Cinderella, rushing away. Then the fairy turned to the cat. . You, bring me seven mice, and, remember they must be alive!.

Cinderella soon returned with the pumpkin and the cat with seven mice he had caught in the cellar. With a flick of the magic wand the pumpkin turned into a sparkling coach and the mice became six white horses, while the seventh mouse turned into a coachman in a smart uniform and carrying a whip. Cinderella could hardly believe her eyes.

Cinderella

I like the stories of Cinderalla. Once upon a time there lived an unhappy young girl. Her mother was dead and her father had married a widow with two daughters. Her stepmother didn't like her one little bit. All her kind thoughts and loving touches were for her own daughters. Nothing was too good for them - dresses, shoes, delicious food, soft beds, and every home comfort.

But, for the poor unhappy girl, there was nothing at all. No dresses, only her stepsisters’ hand-me-downs. No lovely dishes, nothing but scraps. No rest and no comfort. She had to work hard all day. Only when evening came was she allowed to sit for a while by the fire, near the cinders. That’s why everybody called her Cinderella.

Cinderella used to spend long hours all alone talking to the cat. The cat said, . Miaow. , which really meant, . Cheer up! You have something neither of your stepsisters has and that is beauty.. It was quite true. Cinderella, even dressed in old rags, was a lovely girl. While her stepsisters, no matter how splendid and elegant their clothes, were still clumsy, lumpy and ugly and always would be.